Description

This yarn bowl was hand thrown on my potters wheel using strong white stoneware clay. A spiral to thread your wool through was carved out before the bowl dried. Finished in this absolutely stunning tarnished copper effect glaze.

A yarn bowl stops your wool from rolling over the floor as you knit. A must have for any knitter.

No two bowls will ever be exactly the same. Each yarn bowl is handmade and may differ ever so slightly from the picture in shape, size and colour.

Height: 100mm
Diameter: 150mm

The wool pictured is a 50g ball of double knit (not included), there is ample extra room for larger balls of wool.

All of my handmade ceramics will be well packaged prior to shipping, I’d hate for anything to get damaged in the mail. Happy to combine shipping, post worldwide and all of my items are made and ready for immediate dispatch.

3 reviews for Yarn Bowl – Tarnished Copper Knitting Bowl

  1. 5 out of 5

    Chris B. (verified owner) –

    Absolutely gorgeous. Thanks!

  2. 5 out of 5

    Ben -on Etsy –

    Beautifully made yarn bowl, with a lovely coppery glaze. It’ll see many years of use.

  3. 5 out of 5

    Lindsay -on Etsy –

    Absolutely lovely yarn bowl. Exactly as described and arrived well packaged and rapidly.
    I had a small query, which was dealt with very quickly.

    Highly recommended.

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£30.00

Yarn Bowl – Tarnished Copper Knitting Bowl

This yarn bowl was hand thrown on my potters wheel using strong white stoneware clay. A spiral to thread your wool through was carved out before the bowl dried. Finished in this absolutely stunning tarnished copper effect glaze. A yarn bowl stops your wool from rolling over the floor as you knit. A must have…

Rated 5 out of 5

3 reviews

Out of stock

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SKU: TIS11Q
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How It’s Made

By Hand.

All of my work is handmade, predominetly on a potter’s wheel. Once the clay has been prapared the ball is transfered onto the wheel where the form is pulled. Once made, the peice is left to dry slightly overnight to a leather hard consistency before hopping right back onto the wheel to be trimmed with turning tools to remove any excess clay and refine the shape.

Once the clay has fully dried out after a week or two it goes into the kiln for the first firing – the bisque – where it will be slowly heated to 1030°c. The piece is then ready to glaze. Glaze is a slurry of different clays, chemicals and metal oxides which melt in the second kiln firing to create a glass-like surface, the metal oxides creating the colours. During this final firing the kiln will reach 1220°c.

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